We’ve talked a lot about writing a series, and about the pitfalls of how writing an especially long-standing series in a set genre can box you into being a writer of one genre and only one genre, when that may not be what you want to write for the rest of your life. This week, I want to talk about the author/agent relationship, how you can approach your agent about your interest in a broad writing career, and what to do if they aren’t capable or willing to pivot with you once you’re contracted with them.
I recently went to a statewide writer’s conference. My state puts one on every year, but because of COVID-19, they didn’t have one last year, and this year’s conference was very small and the details were constantly in flux as COVID rules and regulations changed almost daily leading up to the conference. Still, writers from across the state braved it and came out in person and over Zoom to meet with colleagues and industry professionals, pitch their work, and to generally hang out and possibly win prizes for their writing. I’ve known about this conference for the entire time I’ve been with my local writing group, but due to work scheduling and travel requirements, in years past I haven’t been able to go, or able to afford to go. This year’s conference was close, in the next town over, and I didn’t even need to get a hotel room. I have a steady crew at work and no need to come in on weekends, and my financial situation allowed me to save up and go for it this year. So I went.